Troubling the Line: Trans and Genderqueer Poetry and Poetics

I’m so so happy that I just got my author copy of Troubling the Line in the mail! I’m so honored to be in this big, gorgeous book, which TC Tolbert and Tim Trace Peterson describe as the first anthology of its kind. My section includes pieces from Becoming Transreal and the Transborder Immigrant Tool series, as well as a statement on poetics that I wrote just for this book. I can’t wait to read this! I’m going to start right away. And I am so honored to be in a book alongside Fabian Romero, Kit Yan and Eileen Myles! Get your copy here.

Autonets – Local Autonomy Networks

Autonets – Local Autonomy Networks

Local Autonomy Networks (Autonets) is a project focusing on creating wearable autonomous local networks that don’t rely on corporate infrastructures to function. I imagine these having a broad range of possible uses, but the initial inspiration was to create technologies to facilitate communication to prevent gendered violence, inspired by community based, anti-racist, prison abolitionist responses to violence. As part of this project, I also created a prototype line of clothing and accessories [Photos] [Video] exploring the possibilites for anti-capitalist fashion by experimenting with how EL wire might serve as a useful indicator for safety devices.

Local Autonomy Networks (Autonets) includes the development of technologies including mesh networked wearable electronics to provide locative data, community building methods, theory and poetry. These technologies will be developed through workshops and collective design processes, inspired by existing networks of horizontal knowledge production in queer, transgender, survivors of gender violence and diasporic communities.

Autonets empower communities to become more autonomous through collectively agreed on networks of communication. A group of sex workers collectively organize to protect each other from violence. A group of protesters need information about where other groups of protesters are in order to take improvised collective action. A group of activists agree to know where each other are at regular times to be able to know immediately of state and paramilitary violence against their collective. A community of people of color agree to come to each other’s aid in the event of police harassment. A polyamorous group of friends want to let each other know when they are available for a date without using text messages. People finding themselves in an environmental crisis need to know how to find each other. A group of bicyclists want to flock together for a group ride. A group of women, transgender and cisgender, agree to let each other know when they are walking home and when they’ve arrived home safely. All of these communities can benefit from Autonets, remapping urban environments.

An initial approach in the series will be a series of wearable electronic devices that use a 3 part grammar to signal to other wearers of similar devices. The approach I am starting with will use Xbee wireless transmitters, led lights and vibration motors to be able to send direction and distance information, along with three different messages, whose meaning will be decided among the community sharing the devices. The devices may be used to signal an impending danger of personal violence, or that a violent incident is taking place, or that another bicyclist is nearby who wants to share a biking route. These devices arose from discussions with collaborators including Grupo 0,29 in Bogotá, Elle Mehrmand, Anne Balsamo and François Bar’s Mobile Technology Hacking class at the Annenberg Innovation Lab and Addie Tinnell, recent graduate of Otis College of Art and Design’s MFA Public Practice Program, as well as discussions with Jack Halberstam and faculty from the Media Arts and Practice (iMAP) Program.

Autonets focus on building community autonomy for informal networks to create collective responses to social emergencies created by capitalism, white supremacy and neo-colonialism, inspired by the prison abolitionist movement and movements to end gender violence. As Morgan Bassichis writes in “Reclaiming Queer & Trans Safety” in The Revolution Starts at Home, “safety comes through stronger relationships, more healing , and increased support, not more prisoners or police or longer prison sentences.” As global capitalism continues to produce new forms of emergency daily, from ecological to economic disasters to mass uprisings, it is clear that people can no longer depend on corporate networks of communication. Both because of the logistical failures of top down centralization and because of their ability to be shut down by governments, such as in the case recently in Egypt as well as in San Francisco during #OpBart. Autonets will help people create local, informal networks through collective action.

This project has received support from the Annenberg Innovation Lab and the Media Arts and Practice Program at USC. It was presented at the UCLA Queer Studies 2011 conference and the Queerture QUEER + COUTURE Fashion Show.

UCLA Queer Studies Conference and QUEERTURE: QUEER + COUTURE

I’ll be speaking on a panel on Friday at the UCLA Queer Studies Conference on the topic of “Wearable Electronics as Femme Disturbance”, discussing virus.circus and my new project, Autonets. The panel is going to be amazing with lots of other digital media scholars! I am so honored to be on this panel with them. I can’t wait! Also, I’m going to be showing some new wearable electronics from the Autonets series in the Queerture Fashion show.

3:00 – 4:15 Royce 306
Techno-Queer Self Fashioning: Digital Theory by Digital Praxis
Moderator:
Michael Stambolis, Sociology, University of California – Los Angeles

Speakers:

“The Real and the Fake: Asian American Digitality, Drag Kings, & ‘All of Me’”
Margaret Rhee, Ethnic Studies, University of California – Berkeley

“Borrowed Time: Fan Video and Queer Temporality through a Cylon Digital Remix Machine”
Alexis Lothian, English, University of Southern California

“Please Select Gender: Video Games and Butch Expression”
Amanda Phillips, English, University of California – Santa Barbara

“Wearable Electronics as Femme Disturbance: Sex Positive Community Responses to Gendered Violence”
Micha Cárdenas, Interdivisional Media Arts and Practice, University of Southern California

QUEERTURE: QUEER + COUTURE
Featuring LGBTQ designers, stylists and fashion illustration

For Immediate Release
Contact: Tania Hammidi, Artistic Director
queerture at gmail d0t c0m

LOS ANGELES October 15, 2011 6 – 7pm — An epic LGBTQ fashion show is befalling the UCLA campus as the final event of a two-day conference “Queer Fashion,” organized by UCLA’s Lesbian, Gay, Bisexual and Transgender Studies Program. According to Artistic Director Tania Hammidi, “this show is a sartorial meeting of the super-powers; we’re featuring LGBTQ models, designers, and stylists to produce a show that busts the seams of classic runway shows.”

Queerture 2011 is hosting a spectrum of L G B T Q I A designs, styles, and struts – from fierce femme style to trans wearable electronics, from vintage & suited dapperness to contemporary urban wear, from boxers to one-of-a-kind hats. Free and open to the public. JOIN US!

Location: 314 Royce Hall, UCLA Campus
Parking: Lot 5, $11
Directions: http://www.uclalive.org/visit/royce_hall.asp
Sponsored: by over 28 UCLA departments and units

Fashion designs by: Styling by:
Studs Clothing and Debonair Laura Luna-Creative Xicana
Michael and Hushi Dapper Dyke-Vivian Escalante
Stafford & Shelton
Jimmy Au’s Suits for Men 5’ 8” and Under, with stylist Leon Wu
Micha Cárdenas and Adam Tinnel

Performance and Installation:
Pre-show, “Shrouds of Aloha’s Kiki” by Aloha Tolentino
Costume design from performance artist Nao Bustamante
Installation by Guinevere Turner
Durational fashion performance “Mountain” by Aaron Valenzuela

Make-Up/Hair: Fashion Illustration:
Pony Lee Estrange Maria Leung
Sparrow Fox Karen Dhillon
Aubrie Davis Lindsay Fackrell
Color Beat Los Angeles

Two events in NYC in July! The Next HOPE and Bluestockings

Elle and I will be heading out to NYC in July for two events we’re really excited about! First, on July 16th, Elle and I will be on a panel at the Next HOPE [Hackers on Planet Earth] conference! I’ve always wanted to go to this conference ever since I started the 2600 group in Miami with a friend as a teenager, so I’m really ecstatic to be giving a talk there. It’ll be at 2300 hours in the Lovelace room, how perfect! Here’s what we’ll be talking about:

Crisis Culture and Emergency Aesthetics in the bang.lab

How do we, as thinking people, as hacktivists and artivists, respond to crises, ecological, economic, medical, ethical? Elle Mehrmand and Micha Cárdenas of the bang.lab at UCSD will discuss a number of their projects using cheap, recycled and DIY electronics to create mixed reality performances, alternate reality performances and augmented geographies of safety. Projects to be covered include technésexual, virus.circus and the Transborder Immigrant Tool. These projects utilize biometric sensors, wearable electronics and the GPS chips in inexpensive cell phones.

tnh

Interaction with Sensors, Receivers, Haptics, and Augmented Reality

Pan, Ryan O’Horo, Micha Cardenas / Azdel Slade, Elle Mehrmand, TradeMark G. (Evolution Control Committee)

Electronic sensor technology has been increasing in resolution while decreasing in cost. The ubiquity of GPS receivers has created the ability to obtain location-based information on demand. At the same time, Augmented Reality interfaces are becoming more popular in the consumer market. From the micro-level of delicate touch sensors in haptic interfaces to the macro-level of GPS positioning, these trends make physically interactive computing more and more accessible. This session will provide an overview of motion/light/heat sensors, GPS receivers, haptic interfaces, and other interactive electronics. Along with an explanation of how they work, several projects that utilize these technologies in the consumer, creative, and social realms will be covered. There will be an audience participation section where users will get a chance to explore sensors and electronics themselves.

Friday 2300 Lovelace (90 minutes)

Then, on Saturday, I’ll be doing a talk about my new book with Barbara Fornssler, Trans Desire / Affective Cyborgs [powells] at Bluestockings books. I’ll be discussing a transgender approach to theories of desire, and its relevance for contemporary autonomous politics, looking at DIY/radical queer porn as an example of world building. It should be interesting and its my first time talking about the book publicly, so I hope people come with lots of good questions to discuss. I’ll also be performing some of the poems in the book as well, which are mostly about my transition.

virus.circus.breath video and photos

virus.circus.breath from azdel slade on Vimeo.

For your protection and the protection of others, you may be asked to wear a mask.

The virus must be contained.

Performed at the Museum of Contemporary Art, San Diego, at the Here, Not There performance night.

Alternate reality performance with latex, wearable electronics, lilypad arduinos, conductive fabric, conductive thread, soft sensors, lilypad Xbee wireless transmitters, ultrasonic rangefinder.

elle mehrmand and micha cárdenas

More at transreal.org and elleelleelle.org

Stills at flickr.com/photos/lotu5/sets/72157623782952247/

Photography by Ash Smith.

Code and technical details here: transreal.org/2010/06/25/virus-circus-source-code-and-technical-info/

Trans Desire, my new book is up on amazon!

After a year of working with my publisher, Atropos press, my book Trans Desire is out! It’s in a book with Barbara Fornssler, which is how Atropos likes to publish shorter works. I’m really ecstatic to have this book finally available to people, and to have gotten such generous reviews from Avital Ronell, Sandy Stone and Diane Davis! I’m so grateful to EGS for supporting their alumni by helping to publish their work. Hopefully this will help me be able to publish my own, longer book soon, which I can’t wait to do. So please, check it out on amazon, buy a copy and leave a comment!

Trans Desire / Affective Cyborgs

Reviews for Trans Desire

Micha Cárdenas takes apart the terms and implicit contract binding the project of “Master Thesis.” What is it to master an object of inquiry that resists boundary control or conceptual arrest? How does one pursue a thesis when genre and gender assignments are continually destabilized? Situated between soft rant and manifesto, between autobiographeme and scholarship, between single and double authorship, _Trans Desire_ bravely faces down the quirky habits of our bildopedic culture, reformatting the very conditions of institutional submission.

- Avital Ronell

In this powerful meta-account of transgressive embodiments and desires, Cárdenas enunciates a rousing, theoretically complex and practically explicit politic of resistance which will resonate with scholar and layperson alike.

- Allucquére Rosanne Stone

In Trans Desire, Micha Cárdenas offers a moving and provocative exploration of transgender desire, its limits, and its potential for biopolitical resistance. At an intersection of poetics and theory, Cárdenas embraces a queer ethico-politics devoted to radically challenging not only heteronormativity but the oppressive power of Empire more broadly.

- Diane Davis

Trans Desire explores the ramifications of using desire as the basis for contemporary political movements rooted in a struggle for autonomy, from the perspective of a transgender person about to begin hormone replacement therapy. It examines the affinities between psychoanalytic theories of desire, queer theory and biopolitics, using the work of theorists including Avital Ronell, Giorgio Agamben and Judith Butler. Trans Desire proposes that radical queer porn is an example of world building that effectively resists biopower without turning to former movements’ demands for rights and legislative reforms.

Affective Cyborgs is framed as a necessary departure from Donna Haraway’s cyborg. Appropriated from the complex sexual politics of BDSM culture, the figure of the “switch” is proposed as a new possibility for conceptualizing agency in our encounters with technology. A doubling of the cyborg body, the switch locates the liminal space in which the binary of dominance and submission may be explored as a contextual and meshed embodiment of contingency, materialized via affective decision. This framing suggests new directions for feminist philosophies of technology.

About the authors:

Micha Cárdenas [transreal.org] is an artist/theorist and a Lecturer in the Visual Arts Department and the Critical Gender Studies program at the University of California, San Diego. She received her MA in Communication at the European Graduate School, Saas-Fee, Switzerland and her MFA from UCSD.

Barbara Fornssler is a PhD student at the European Graduate School in Saas-Fee, Switzerland, and a writer whose research interests include the body and technology, multimodal communication, and philosophies of gender. (edited by author)