Wearable Thread Instrument Prototype

Wireless Conductive Thread Instrument Prototype from azdel slade on Vimeo.

An early prototype of a musical instrument made mostly of conductive thread. It works by using a long conductive thread as a sensor attached to a lilypad arduino with a bluetooth module, sending data to puredata wirelessly and generating sound. This works by using the inherent resistance in conductive thread.

This is a very early version of something we’ll be using in our performances, and a very silly video. Enjoy!

Read more about our work at http://transreal.org and http://elleelleelle.org

virus.circus.breath video and photos

virus.circus.breath from azdel slade on Vimeo.

For your protection and the protection of others, you may be asked to wear a mask.

The virus must be contained.

Performed at the Museum of Contemporary Art, San Diego, at the Here, Not There performance night.

Alternate reality performance with latex, wearable electronics, lilypad arduinos, conductive fabric, conductive thread, soft sensors, lilypad Xbee wireless transmitters, ultrasonic rangefinder.

elle mehrmand and micha cárdenas

More at transreal.org and elleelleelle.org

Stills at flickr.com/photos/lotu5/sets/72157623782952247/

Photography by Ash Smith.

Code and technical details here: transreal.org/2010/06/25/virus-circus-source-code-and-technical-info/

virus.circus source code and technical info

virus.circus is a collaboration between elle mehrmand and micha cárdenas. It is an episodic alternate reality performance involving latex outfits, wearable electronics, lilypad arduinos, conductive fabric, conductive thread, a fabric pressure sensor sensors and an ultrasonic rangefinder to create live audio and to bridge virtual and physical spaces. The performances explore possible queer futures of latex sexuality amidst a speculative world of virus hysteria.

For photos of the electronics see the flickr set.

Recent episodes in the virus.circus series of performances involve using an ultrasonic rangefinder and a pressure sensor sewn to a lilypad arduino. [thanks to Hannah Perner-Wilson for the amazing pressure sensor instructable] The lilypad sends data over Xbee wireless tansmitters to a Puredata patch which creates a live audioscape from our voices, modulated based on the state of the rangefinder and a pressure sensor. This data is sent from Puredata out to a text file which is read by a modified version of the Second Life Viewer 2. This custom client reads the distance from the local file and updates the position in world of two objects which our avatars sit on, with custom animation overriders to replace the sit animations with the animations we have chosen. Since SL viewers can connect to Opensim and OSgrid, this patch should also work fine for moving Opensim avatars with arduino sensors.

Attached to this page you can find the pd patch and the Second Life Viewer 2 patch. I’ll also include them below. The pd patch is based on code from William Brent, Daniel Arias and Tom Erbe who ported Tom’s soundhack plugins to pd. This isn’t the cleanest patch, but it does allow you to control an avatar in Second Life from Pd through a local file, eliminating the overhead of using llHttpRequest which can add seconds of delay. This is a continuation of work I began thinking about with an earlier project, Becoming Dragon. The pd patch requires pd-extended, because it relies on its comport object. It reads data from two different comports, as in our performance one arduino was sewn into elle mehrmand’s latex outfit and attached to a pressure sensor, which transmitted to an arduino connected to a single usb port, and another arduino was sewn into my bra with the ultrasonic rangefinder attached. Images of these electronics are in the flickr set, but we’ll add more detail shots soon.

This video shows the Second Life avatar movement clearly, but I added averaging to make it smoother: http://vimeo.com/12219412

pd-to-sl-llappviewer.cpp.diff

viruscircus-breath.pd

So as not to clog up this blog with code, see the attached patch (diff file) for the Second Life code, or see this wiki page:

http://banglabinexile.pbworks.com/viruscircus-source-code-and-technical-info

Upgrade! Tijuana, Dec 19th and Realityshifting Pt. 3

Hola tod@s, check out my new article Reality Shifting Pt. 3, Queering New Media, discussing technesexual, and mixed reality as protocological resistance. Leave a comment!

Also, join Elle Mehrmand, Chris Head, Zach Blas, me and Dream Addictive labs on December 19th for Upgrade! Tijuana! It’s going to be awesome and is in our new location, Protolab!

Upgrade! Tijuana, Sat Dec 19th, Elle Mehrmand, Chris Head and Zach Blas

Saturday, December 19th, 2009

Upgrade! Tijuana
6-8pm
@ Protolab

Presentations by:

Zach Blas
Elle Mehrmand
Chris Head

Telefono: (0152 – 664) 686 1610 y 686 6318

Dirección: Blvd. Agua Caliente # 10535
 Edificio Gallegos  Planta
Baja.
Fracc. Aviación, Tijuana, B.C. Mexico.
C.P.22014

Poster here:
http://upgrade.dreamaddictive.com/wp-content/uploads/2009/12/upgrade2.jpg

and http://upgrade.dreamaddictive.com

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Elle Mehrmand

is a performance/new media artist and musician who uses the body,
electronics, video, photography, sound and installation within her works.
She is the singer and trombone player of Assembly of Mazes, a music
collective who create dark, electronic, middle eastern, rhythmic jazz
rock. Elle is currently an MFA candidate at UCSD, and received her BFA in
art photography with a minor in music at CSULB. Elle has received grants
from UCIRA and Fine Arts Affiliates. She is a researcher at CRCA and the
b.a.n.g. lab at UCSD. Her performances have been shown in Los Angeles,
Tijuana, Montreal, Dublin, San Diego, Long Beach, San Fransisco and
Bogotá, Colombia.

sextrument.  <2008>  performance/video
A live durational performance where I masturbated for one hour, with a
Nintendo Wii remote controller.  The accelerometer sensor in the Wii-mote
measured the speed and intensity of my hand movement, which sent messages
to MaxMSP altering the sound of my voice, which was then projected through
speakers outside of the room.  Behind a locked door, I invited viewers to
look through the peephole, seeing only the bottom of my breasts, down to
the top of my pubic line, revealing the in-between.

http://visarts.ucsd.edu/something-happening/?p=177
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Zach Blas

www.zachblas.info
is an artist and writer working at the intersections of networked media,
queerness, and the political. he is particularly interested in activist
art that addresses the methods and styles in which technologies, bodies,
and capital impact, reconstitute, and proliferate assemblages of
sexuality, gender, and knowledge, alongside the potentials and
possibilities of reshaping these assemblages as well as reconfiguring
un/human modes of agency and resistance. zach is a phd student in
literature & information science + information studies at duke university.
he holds a mfa from the design | media arts department at the university
of california los angeles, a post-baccalaureate certificate from the
school of the art institute of chicago in the art and technology studies
department, and a bachelor of science from boston university in film and
philosophy.”

zach’s current project, Queer Technologies, is an organization that
develops applications and situations for queer intervention and social
formation. Queer Technologies produces flows of resistance within larger
spheres of capitalist structurations, “identifying” and “disidentiying”
with these spheres in tandem. All pieces are designed as product, artwork,
and political tool, materialized through an industrial manufacturing
process so that they may be disseminated widely. QT products include
transCoder, a queer programming anti-language; ENgenderingGenderChangers,
a “solution” to Gender Adapters’ male/female binary; Gay Bombs, a
technical manual manifesto that outlines a “how to” of queer networked
activism; and GRID, a mapping application used to track the dissemination
of QT products and map the “battle plans” for Queer Technologies to more
thoroughly infect networks of capital. Queer Technologies’ products are
often displayed and deployed at the Disingenuous Bar, which offers a
heterotopic space for political support for “technical” problems. QT
products are also shop-dropped in various consumer electronics stores,
such as Best Buy, Circuit City, Radio Shack, and Target.
(www.queertechnologies.info)

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Christopher Head
gubbish.org

Christopher Head is a MFA candidate at the University of California San
Diego. His practice is focused on the application of experimental
technologies and art to address issues at the intersection between
virtual, public, and social spaces. Christopher’s work often engages
computer games, data visualization, and issues of software production.

Christopher’s current project and upcoming thesis exhibition (tentatively
titled “mmmo”), is an attempt to create a software framework for exploring
alternative narrative forms in interactive digital media. “mmmo” will be
released first as a pair of free/libre and open-source software libraries,
with a follow-up implementation as a development example and use-case.

Video of technésexual in Montreal at Artivistic TURN*ON

This video was done with just our Flip, we’re working on a better documentation video soon.

technésexual // Echolalia Azalee and Azdel Slade from azdel slade on Vimeo.

//The sound is very low frequency, so please use headphones or good speakers to hear the video//

Performed in Montreal at Artivistic TURN*ON.

In technésexual, Echolalia Azalee and Azdel Slade commit playful erotic acts in physical and virtual space simultaneously, using devices to amplify the sound of their heartbeats for the two audiences. An electrocardiogram will be used to monitor the heart rate with an Arduino/Freeduino, playing a recording of the heartbeat at the correct rate using Puredata. DIY biometrics are used to bridge realities with audio, finding ways of exploring the space between realities.

technésexual opens discussion on the multitude of sexualities outside of the restrictive LGBT formulation and homo/hetero categories, which are rooted in binary gender assumptions. The mixing of realities in this project can be seen as paralleling our own experiences mixing genders and sexualities, queering new media. Virtual worlds such as Second Life facilitate the development of new identities, allowing for unimagined relations and relationships. technésexual looks closely at these new relationships, how they affect our everyday lives and horizons of possibility.

More information at transreal.org and bang.calit2.net/wiki/Mixed_Relations