Upcoming exhibition and talks! Trans Technology, Congress on Research in Dance, Critical Ethnic Studies Association

Next week I’ll be heading to New Jersey for a fantastic exhibition and symposium called Trans Technology. I’m so honored to be in this show with such amazing artists. Check it out below!

Also, I’m so happy that two panels I proposed were accepted! I’ll be speaking at The Congress on Research in Dance with Allison Wyper, Ashley Ferro-Murray and Patrick Keilty  and at the Critical Ethnic Studies Association Conference with Alexis Lothian, Alexandrina Agloro and Shao-Ling Ma!

 

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SYMPOSIUM / March 5, 2013

This event is free and open to the public

DOUGLASS LIBRARY
Mabel Smith Douglass Room

Hacking Workshop/Demonstration  11 AM – 12:15 PM
Artists: Georgia Guthrie, Stephanie Alarcon, and Micha Cardenas

Lunch 12:15 -1:15 PM 
(Click here to RSVP)

ALEXANDER LIBRARY
Teleconference Lecture Hall, 4th Floor

Interventions in Tech Industry and STEM  2 – 3:30 PM
Panelists: Stephanie Alarcon (artist), Zach Blas (artist), Georgia Guthrie (artist), and Jessa Lingel (Rutgers PhD Candidate, LIS)
Moderator: Katie McCollough (Rutgers PhD Candidate, Media Studies)

Utopian Technics  4 – 5:30 PM
Panelists: Micha Cardenas (artist), Heather Cassils (artist), Jacolby Satterwhite (artist), and Leah Devus (Associate Professor, Rutgers History Department)
Moderator: Aren Aizura (Rutgers Institute for Research on Women, Post-Doctoral Researcher)

On View: Trans Technology
Circuits of Culture, Self, Belonging
January 22 – June 3, 2013
Mary H. Dana Women Artists Series, Douglass Library
Gallery Hours: 9 AM – 4:30 PM; Weekends by appointment
Press Release

 

Transreal Thoughts: Interviewed by NM Rosen

I’m so excited to share this interview I did with NM Rosen in NO15, a fashion and art magazine. I’ve worked with NM on Autonets and I think our discussion about The Transreal book, Becoming Dragon and Autonets was really interesting. The issue is about how technology is changing our conceptions of death and our life timelines. It’s a gorgeous issue, using an interesting online publishing format, so take a look!

http://issuu.com/no15magazine/docs/vol4

http://no15mag.com

 

I’m Speaking at TEDx Del Mar on Sunday, April 29th

Artist/Theorist Micha Cárdenas will be speaking at TEDx Del Mar on April 29th. The theme of TEDx Del Mar 2012 is Envisioning Transhumanity. More info available at http://www.tedxdelmar.com/ .

About

A Transhuman studies conference on the future of our minds, bodies and societies, Sunday, 4/29/12 @ UCSD.

Description

We will discuss the potential promise and peril of coming technologies that will augment and radically transform our minds, bodies, and cultures. Many see these transformations as inevitable outcomes of accelerating technological development and global market conditions. The purpose of this conference is to emphasize Transhuman studies as an academic discipline, as well as establish a local community of students, scholars and entrepreneurs with the raised-consciousness and ambition to have a positive impact on our future.

We aim to discuss the following topics in a manner rigorous enough to satisfy university-educated scholars, but not so technical as to alienate the many people that are new to the subject matter:

Near and Far Cyborg World: What are the potential ramifications of visor cellphones and augmented reality, or the intimate cyborg interfaces developing across biotech, as well as in-silico life? What kinds of privacy rules should govern cellphone visors? Can there be limits preventing users from transforming the appearance of others? How are children to be safely hybridized with cyborg technologies? How will the increasing elderly react to cyborg technologies? What risks or better forms of life arise if individuality blurs when populations of cyborgs interconnect?

Current and Future Life-Enhancement: How effective is life-logging? How good are the best happiness, intelligence and fitness improvement apps and devices? What is the current state and prospects for physical and mental health enhancement technologies? What are the short term prospects for developing human potential and improving quality of life in San Diego for all groups, especially the worst-off?

Ethics, Economics, and Culture: What sociocultural and economic ramifications will transhumanist values have in the world, as well as transhuman technologies? Barring the destruction of civilization, is transhumanity inevitable?

The Market and Transhuman interests: To what degree do the market forces driving transhumanity diverge from the ends we ought to desire? What are the transhuman goals? How can we guide these transformations to optimize well being and freedom?

What is the Potential Impact of Accelerated Consciousness Raising?: How will we be changed by the explosion of knowledge and intelligence distributed between and within human minds?

Bio-Conservative Views: Are there bio-conservative arguments that haven’t been well-considered? What are the strongest arguments against human augmentation? Are there practical programs to prevent it?

Foresight in Augmentation: What’s next? Will there be a general order of development for human enhancement technologies? What are the technical limits of augmentation? What are the limits and prospects for cognitive, emotive, and empathetic augmentation?

Aging as Pathology: To what degree is it appropriate to treat aging as a single pathology? What are the prospects for life-extension, the costs, the availability, the state of the science of gene-therapy and pre-natal anti-aging interventions?

About TEDx, x = independently organized event

In the spirit of ideas worth spreading, TEDx is a program of local, self-organized events that bring people together to share a TED-like experience. At a TEDx event, TEDTalks video and live speakers combine to spark deep discussion and connection in a small group. These local, self-organized events are branded TEDx, where x = independently organized TED event. The TED Conference provides general guidance for the TEDx program, but individual TEDx events are self-organized. (Subject to certain rules and regulations.)

About TED
TED is a nonprofit organization devoted to Ideas Worth Spreading. Started as a four-day conference in California 26 years ago, TED has grown to support those world-changing ideas with multiple initiatives. At TED, the world’s leading thinkers and doers are asked to give the talk of their lives in 18 minutes. Talks are then made available, free, at TED.com. TED speakers have included Bill Gates, Jane Goodall, Elizabeth Gilbert, Sir Richard Branson, Benoit Mandelbrot, Philippe Starck, Ngozi Okonjo-Iweala, Isabel Allende and former UK Prime Minister Gordon Brown. Two major TED events are held each year: The TED Conference takes place every spring in Long Beach, California (along with a parallel conference, TEDActive, in Palm Springs), and TEDGlobal is held each summer in Edinburgh, Scotland.

TED’s media initiatives include TED.com, where new TEDTalks are posted daily; the new TED Conversations, enabling broad conversations among TED fans; and the Open Translation Project, which provides subtitles and interactive transcripts as well as the ability for any TEDTalk to be translated by volunteers worldwide.

TED has established the annual TED Prize, where exceptional individuals with a wish to change the world are given the opportunity to put their wishes into action; TEDx, which offers individuals or groups a way to host local, self-organized events around the world; and the TED Fellows program, helping world-changing innovators from around the globe to become part of the TED community and, with its help, amplify the impact of their remarkable projects and activities.

For information about TED’s upcoming conferences, visit http://www.ted.com/registration

Follow TED on Twitter at http://twitter.com/TEDTalks, or on Facebook at http://www.facebook.com/TED

 

The Transreal – Political Aesthetics of Crossing Realities

UPDATE 2/2012: The Transreal book is now available on Amazon.com 

Published by Atropos Press in January 2012, The Transreal includes texts written by myself and in collaboration with Elle Mehrmand and transcriptions of panels with Stelarc, Sandy Stone, Ricardo Dominguez, Amy Sara Carroll, Brian Holmes and James Morgan. Zach Blas is the editor of the book. Below is a description of the book.

The Transreal: Political Aesthetics of Crossing Realities explores the use of multiple simultaneous realities as a medium in contemporary art. Building on the notion of “trans” from transgender, meaning crossing boundaries of gender, I propose that transreal aesthetics cross the boundaries created by a proliferation of conceptions of reality that occurred as a result of postmodern theory. Building on the notion of experimental affective politics that I developed in my first book Trans Desire/Affective Cyborgs, co-authored with Barbara Fornssler, I claim that an understanding of building and working with multiple realities is essential for artists and political actors to have agency today.

Proposing three operations for dealing with multiple realities, The Transreal discusses artists and art collectives including: Blast Theory, whose alternate reality game “Ulrike and Eamon Compliant” invites users to walk the streets of Venice as the leftist militant Ulrike Meinhoff; mez breeze, whose poems explore anonymous hacktivism through her own literary genre that uses code syntax to perform multiple characters simultaneously; and Reza Negarestani, Ricardo Dominguez and Zach Blas’ whose works invent new fields of technological imaginary, creating their own logics. Through these artists’ work and my own, I demonstrate that the medium of transreal art has broad implications across new media, performance art, e-poetry and emerging literary genres. The book spans a wide range of genres including theoretical analyses of artworks, poetry, source code, technical diagrams, photos of performances and custom made electronics as well as discussions with leading thinkers in the fields of new media and performance art including Stelarc, Rosanne Allucquére Stone and Ricardo Dominguez.

The book includes writings from and about my own transreal performances: Becoming Dragon and collaborations with Elle Mehrmand including Becoming Transreal, technésexual and virus.circus. Becoming Dragon (2008) questions the one-year requirement of “Real Life Experience” that transgender people must fulfill in order to receive Gender Confirmation Surgery, and asks if this could be replaced by one year of ‘Second Life Experience’ to lead to Species Reassignment Surgery. For the performance, I lived for 365 hours immersed in the online 3D environment of Second Life with a head mounted display, only seeing the physical world through a video feed, and wrote software to use a motion capture system to map my movements into Second Life. For technésexual (2009-2010), Elle Mehrmand and myself wore custom made heart rate monitors and temperature sensors while we kissed and undressed in front of a live audience. Simultaneously for an audience in Second Life, our avatars also kissed while the sound of our live heart beats was played for both audiences, pitch shifted according to our body temperatures, creating an organic interface for making music. Becoming Transreal (2010) was performed at the UCLA Freud Playhouse and consisted of a ritual in which I would read a poem and once each poem ended, Elle Mehrmand would use a hand pump to increase the pressure in suction cups attached to my breasts while we were both motion captured by a Vicon motion capture system that moved our avatar’s positions in real time. The performance used slipstream poetry to consider possible futures of nano-bio drug piracy and the intersections of transnational and transgender experiences. virus.circus is an episodic series of performances exploring a speculative world of queer futures of latex sexuality and DIY medicine in resistance to virus hysteria. Code switching between mixed and alternate reality, virus.circus asks how we can use reality as a medium, resonating across a number of modes including public space interventions, performances in museums and galleries and networked performances.

The notion of transreal is informed by the theorist Jack Halberstam who makes “the perhaps overly ambitious claim that there is such a thing as “queer time” and “queer space.”” Expanding on this, one can see the acceptance and embrace of multiple worlds, times and realities as a fundamental characteristic of late postmodernism or post-postmodernism.