Local Autonomy Networks :: Milwaukee :: Healing is Our Response

Performed at the Dark Side of the Digital Conference at the Center for 21st Century Studies in Milwaukee, Wisconsin. My profound thanks go out the performers who performed with me!

Performed by  micha cárdenas, Ching-In Chen, Bridget Feerick, Shawna Elizabeth,  Jennifer Morales,  Ashkan Rezvani Naraghi, Shelly Schauer, Trenton Francis Schoonover, William Skaleski, Ali Sperling.  Photos by Wes Tank.

More about this performance here: http://www.c21uwm.com/2013/03/14/building-local-autonomy-networks/

Local Autonomy Networks :: Los Angeles with Gender Justice LA, photos

Performed at the University of Southern California, School of Cinematic Arts gallery and checkpoint outside of USC at Jefferson and Hoover. My deepest thanks go out to my collaborators from Gender Justice Los Angeles! Photos by Karl Baumann.

More about this performance: http://transreal.org/2013/02/27/local-autonomy-networks-los-angeles-with-gstaender-justice-la/

Talks, performances, exhibition in April: Los Angeles, Amsterdam, Germany, Toronto

On top of the performances with Mangos with Chili that I just posted about and I’m working on daily, I’m also doing some other very exciting things in April. Check out these great talks and exhibitions if you’re in LA, Amsterdam, Toronto or Hamburg/Luneberg!

April 19, Los Angeles
Congress on Research in Dance
April 19 – July 21, Amsterdam
Transcreen: Amsterdam Transgender Film Festival, art exhibition “Lost & Found Transgender Image Making”
April 26, Lüneburg, Germany
Post Media Lab: Don’t Forget the Archives! Symposium

Post-Media Lab | »Don´t Forget the Archive!« | Lüneburg, 25th-26th/27th April 2013
»Don´t forget: the archive!«
: Collecting Non-Archives for the Post-Media Condition (I)
// Concept Note
The possibilities as well as the challenges to engage in this constructions and projection of memory and accessible ressources for shared reference have dramatically increased with networked media, but also been shaken sometimes traumatized by the demanding model of the archive. It might be said: the post-media condition is not only characterized by a breakdown (at least: major reconfiguration) of mass media, but also of other media institutional setups like ‘the archive’. At the same time the Net (and all its grey and dark parts) may seem like the ultimate archive, one that at the same time doesn´t adhere to any of the rules of what an archivalist would or could accept. Not to mention all media devices and systems beyond the internet, creating archivable material of different sorts, as we speak. Given the overabundance of archiving possibilities of the present, some would hold that ‘the archive’ is confronted these days with ‘problems’ of volatility, real-time mediations or fictionalization.

We are therefore collecting and assembling acteurs and projects trying to re-imagine what the function formerly performed by ‘archives’ is, was and what enlivened patterns it can take in the future present. Everything between deliberate non-archivable practices to the never achievable reconstruction of the ‘cultural archive’ is of interest.

//

Also, don’t forget Mangos with Chili!

April 20-21, Toronto
Mangos with Chili 

Local Autonomy Networks in this month’s Make/Shift Mag!

so thrilled to be in the new issue of Make/Shift mag! Check it out!

http://www.makeshiftmag.com/

Make/shift magazine creates and documents contemporary feminist culture and action by publishing journalism, critical analysis, and visual and text art. Made by an editorial collective committed to antiracist, transnational, and queer perspectives, make/shift embraces the multiple and shifting identities of feminist communities. We know there’s exciting work being done in various spaces and forms by people seriously and playfully resisting and creating alternatives to systematic oppression. Make/shift exists to represent, participate in, critique, provoke, and inspire more of that good work.

Local Autonomy Networks :: Los Angeles with Gender Justice LA

Local Autonomy Networks :: Los Angeles with Gender Justice LA

March 8, 2013

USC School of Cinematic Arts Gallery, SCA 120
6:30-9:30pm

6:30-8:30pm Workshop using Theater of the Oppressed
8:30-9pm Opening reception
9-9:30pm Performance

Exhibition hours
Sat-sun 3/9-3/10, 12-4pm
Mon-Thurs, 3/11-3/14, 11am-7pm

 

“The colonial world is a compartmentalized world… The colonized world is divided in two. The dividing line, the border, is represented by the barracks and the police stations… In capitalist societies, education… those aesthetic forms of respect for the status quo, instill in the exploited a mood of submission and inhibition which considerably eases the task of agents of law and order.”

“The [government] agent does not alleviate oppression or mask domination. He displays and demonstrates them with the clear conscience of the law enforcer, and brings violence into the homes and minds of the colonized subject.”

- Frantz Fanon, The Wretched of the Earth

On March 8, 2013, Local Autonomy Networks, a project started by Micha Cárdenas, will be joining with Gender Justice LA’s Theater of the Oppressed Group to host a workshop and performance about the militarization of college campuses and community-based responses to violence. Starting with the question, “Does this look like safety to you?”, the two-hour workshop will respond to the recent policy at the University of Southern California to set up mini borders, complete with metal expanding fences and computer-aided checkpoints, at all of the school’s entrances at night. These checkpoints, reminiscent of both the US/Mexico border and the Israel/Palestine border, reinforce a militarized mindset that contradicts USC’s image of integration with the surrounding community. ID checks such as these only serve to make transgender people and undocumented people unsafe, effectively excluding them from the community. Join us for a two-hour workshop that will culminate in a performance just outside one of the checkpoints where we will use Theater of the Oppressed to embody what safety looks like to our community of genderqueer and transgender people of color and allies.

More about Local Autonomy Networks / Autonets:

Local Autonomy Networks (Autonets) is an artivist project focused on creating networks of communication to increase community autonomy and reduce violence against women, LGBTQI people, people of color and other groups who continue to survive violence on a daily basis. The networks are both online and offline, including handmade wearable electronic fashion and face to face agreements between people. The networks are being established through a series of workshops, performances, presentations and discussions at art, activist and academic venues in the Americas and Europe. The project was started by Micha Cárdenas but is rapidly expanding into an ecology of networks involving many artists, hackers and activists.Autonets includes a line of mesh networked electronic clothing with the goal of building autonomous local networks that don’t rely on corporate infrastructure to function, inspired by community based, anti-racist, prison abolitionist responses to gendered violence. The Autonets garments, when activated, will alert everyone in range of the the local mesh network who is wearing another autonet garment that someone needs help and will indicate that person’s direction and distance.

These technologies are being developed through workshops and collective design processes, inspired by existing networks of horizontal knowledge production in queer, transgender, survivors of gender violence and diasporic communities. We are currently in collaboration with groups wanting to use Autonets to reduce violence against genderqueer and trans people of color in LA, prevent disappearances in Bogotá, Colombia, help provide safety for sex workers in Toronto and facilitate queer youth of color to avoid violence in Detroit. Autonets is fashion hacking for social reorganization, recoding the meaning of fashion symbols such as hoodies that have associations ranging from Trayvon Martin to the Black Bloc, or femme fashion elements like dresses and bracelets, into symbols of connectivity and autonomy.

http://autonets.org

More about GJLA:

Gender Justice LA is building a strong grassroots multi-racial coalition of transgender people and allies to advocate for our rights, win concrete improvements in our lives, and challenge oppression.

Are you ready to help us transform Los Angeles?

http://www.gjla.org/

 

Network of Ensemble Theaters awards myself, Complex Movements and Patrisse Cullors a 2012 Seed Grant

I’m so happy to announce this news! This will help me continue to travel to Detroit to develop the Detroit Local Autonomy Network!

Repost from Emergencemedia.org:

Network of Ensemble Theaters (NET) is pleased to announce Complex Movements as a recipient of the pilot round of NET Touring & Exchange Network (NET/TEN) Seed Grants for 2012. The purpose of the NET/TEN program is to share techniques, inspiration, expertise, and performance among ensembles in the United States. This project is made possible, in part, through a grant from the NET/TEN grant, is supported by lead funding from The Andrew W. Mellon Foundation and the Doris Duke Charitable Foundation.

For this grant, Invincible will visit Micha Cárdenas and Patrisse Cullors, Los Angeles-based artists working on projects exploring community autonomy, violence, and mass incarceration. Cárdenas and Cullors will also travel to Detroit to observe Invincible in the rehearsal room for Complex Movements. Both visits will include community learning circles and conversations over home-cooked meals.

Complex Movements is a Detroit-based artist collective composed of graphic designer/fine artist Wesley Taylor, music producer/filmmaker Waajeed and hip-hop lyricist/activist Invincible, with creative technologist Carlos (L05) Garcia. Their multimedia performance installations, hand crafted songs and trans-genre experiments explore the relationship between complex science and social justice movements.

A national coalition of ensembles created by and for artists, the Network of Ensemble Theaters (NET) exists to propel ensemble theater practice to the forefront of American culture and society. NET links a diverse array of ensembles and practitioners to one another and the performing arts field, encouraging collaborations and knowledge building and dissemination.

NET is committed to the advancement of the ensemble form and strives to bring about change in the world beyond ourselves through the transformative power of collaborative theater. NET supports bold artistic and civic experiments and aim to heighten the impact and excellence of ensemble theater.

For more information about NET, click here