Erotic Electrosymbiotic Encounters

We need to have an erotic encounter, but arrived in Bogota without our gear. In the rain, we stop at a pharmacy storefront that opens onto the street. “¿Donde podemos buscar una tienda de equipos medicos?” I ask. “Tres cuadras mas,” the pharmacist tells us in her white lab coat. We have to find a stethoscope, wire, a soldering iron and a ⅛” jack.

Azdel and I advance through the electronics district. All the stores are stacked and crammed into a few city blocks. The bright LEDs and signs hallucinate my every step…

Read the rest, by myself and Elle Mehrmand, at Version.org

Mixed Reality Artist Talk Today! Join us!

Today Elle Mehrmand and I will be doing a mixed reality artist talk from Duke University’s Nasher Auditorium. Our talk starts at 1pm SLT/PST, and we’ll be discussing technesexual, the work that led us to it and our upcoming project tentatively named virus.circus.

Join us!
http://slurl.com/secondlife/Seventh%20Eye/156/42/236

duke-talk_002

01.10.10 a wedding – join us for a performance sunday!

Join us for the beautiful ceremony of two female avatars being wed. We will celebrate by sharing our love with the world through a mixed reality performance, with all new elements included. To see the full invite wear the attached hud and click on it! Join us tmrw 1.10.10 at 1pm SLT.

Repost from http://ohselavy.blogspot.com/2010/01/wedding.html

The performance of 01.10.10 a wedding

SLURL

UPON ARRIVAL PLEASE TAKE THE TELEPORT TO THE CATHEDRAL

You are invited to the SL wedding performance of Selavy Oh and Misprint Thursday on Sunday January 10th at 1pm slt. THIS IS A FAKE WEDDING. IT IS PERFORMANCE ART. The performance is a reflection and celebration of “creative community” and how we intersect and play off each other’s work, ideas and environments. The objects, costumes, props and personas in this performance are reflective of the playful and creative domain of SL art.

Why a wedding? The performance of a wedding grew out of a poetically whimsical “faux proposal” from Misprint Thursday to Selavy Oh. The proposal was accepted and the faux partnership was formed. From there, the fantastic thread has unraveled leading us to this culminating encounter. We are all “wed” in our experiences and connective creativity in this environment in many ways aren’t we?

To view the performance:
Set to Midnight
Have your sounds and video enabled
Grab the Info In the Cathedral Foyer when you arrive

In keeping with the performance please feel free to participate by dressing any combination of “ecclectic formal”.

Much thanks and appreciation to Corrine Cerise for the generous land use to host this event and Marko Seurat for providing the wonderful builds on said land.

Tremendous YAY for all the artists and actors to participate in this fast paced, fun and surreal community art event. CHEERS!

ARTISTS:

Misprint Thursday and Selavy Oh
collaborators and co-conspirators in performance

Marko Seurat-Set Design (cathedral and sky build)
Bryn Oh-Catherdal Art curated and placed by Marko Seurat
Suzanne Graves-Cathedral Art curated and placed by Marko Seurat
ColeMarie Soleil-Machinima Documentation
myvegancookbook Bolissima-Costume for brides
Dekka Raymaker-Wedding Documents
Solo Mornington-Rings
L1Aura Loire-Nuptial Couch
Rod Mandel-Interactive Wedding seating
Ze Moo-Minister 1
Xenophile Neurocam-Minister 2
Penumbra Carter-Minister 3 and cake creator
Joonie Jatho-Deflowered Girl
Arrow Inglewood-Best Man and Ice Sculpture creator
Captain Pike-Usher
Positive Hinterland-Bridesmaid
Negative Overland-Bridesmaid
Dekka Raymaker-Wedding Documents
curmudgeon Krasner-Witness
Peri Afarensis-Witness
Azdel Slade and echolalia Azalee – Mixed Reality Performance
Oberon Onmura-Reception Art
Jo Ellsmere-Reception Chairs
Maya Paris-Table Centerpieces

notecard text by misprint thursday

Becoming Dragon in MFA Conversations II at I-5 in LA

I’m so happy to announce that I’m going to be part of this show in Los Angeles. I’ll post more details soon…

MFA Conversations Part II

i-5 GALLERY at THE BREWERY ART COLONY
2100 N. Main St., #A-9 (in the Atrium at The Brewery), Los Angeles, CA 90031
Director: Nancy Ramirez. Curator: Marla Koosed

Directions: http://www.breweryartwalk.com/?page_id=13
323.342.0717
E-mail: breweryartwalk@yahoo.com
Web site: http://www.breweryartwalk.com
Gallery hours: Fri.-Sat., 12-4pm; & by appointment

Conversation: (NOUN) 1. An informal spoken exchange of thoughts and feelings; a familiar talk. 2. Social intercourse; close association. 3.Rare. Close acquaintance, as with an object of study.

I-5 is pleased to announce the first in a series of shows being offered this summer through the fall of 2009. MFA Conversations Part I (May/June) and Part II (July/August) explore the abundance of MFA and MA programs in the Southern California area from San Diego to Santa Barbara. Despite their shared geography, these programs represent a range of diverse offerings, foci, students, and work. While such diversity yields richness, it can also have an isolating effect on students from these institutions, who do not have many opportunities to interact in the greater southern California arts community.

Curator Marla Koosed explains: “I wanted to do something different. I wanted to bring the artists and their work together by having a series of MFA shows inclusive of all 15 schools in the region. By including a minimum of 7-8 schools per exhibit and presenting a small sampling of work from these various programs within an intimate space, the works would naturally start a dialogue. Most MFA shows are up for a limited period of time; Part I and Part II will be up for 2 months each. This will allow time for scheduling artist talks, for the participants to discuss their work, each others’ work, and to share those conversations with a wider audience, the public.”

MFA Conversations Part I will show work from 7 schools; UC Irvine, Claremont, Cal State Fullerton, Cal State Northridge, Cal State San Bernardino, Cal State Los Angeles and Cal State Long Beach. This show is not a survey or comprehensive of all the graduates: Instead, studio visits for all eligible candidates for this show were conducted, and participants were chosen from that pool. The intimate scale of the I-5 Gallery allows for an exhibit like this to function and for the works to interact by the space they cohabit.

The third show in the series will be called Professor Dialogues (select works from faculty of the 15 schools) and will take place September through October 2009. Stay tuned. . .

Dialogues in Sexuality Studies feat. Micha Cardenas and L. Chase Smith

Dialogues in Sexuality Studies presents:

“Technology and Sexuality”

Featuring: Micha Cárdenas, MFA Candidate, Department of Visual Arts, UC
San Diego

“Becoming Dragon: Transgender, Transspecies, Transreal”

and L. Chase Smith, Ph.D. Candidate, Department of Literature, UC San Diego

“Visual Technologies of Sexuality in the Early Twentieth-Century Californias”

Monday, May 18, 4:00-6:00 p.m.
LGBT Resource Center

Now in its third year, Dialogues in Sexuality Studies brings UCSD faculty
members and graduate students interested in the growing interdisciplinary
field of Sexuality Studies together in a friendly and collegial
environment. The two presentations will be followed by open discussion and
ample refreshments.

In addition to holding one research forum per quarter, Dialogues in
Sexuality Studies also hosts a quarterly sexuality studies graduate
reading group. This quarter, the reading group will meet Friday, May 8 at
9:45-11am in the Women’s Center. For the readings, please contact L. Chase
Smith at grad-community@ucsd.edu

Micha Cárdenas / dj lotu5 / Azdel Slade is a transgender artist, theorist
and trouble maker. Micha is an MFA candidate at the University of
California, San Diego who will be graduating in the summer of 2009. Micha
holds a Master’s degree in Media and Communications with distinction from
the European Graduate School and a Bachelor’s degree in Computer Science
from Florida International University. She is a researcher at the
Experimental Game Lab at CRCA and at Calit2. Her interests include the
interplay of technology, gender, sex and biopolitics. She blogs at
TechnoTrannySlut.com.

L. Chase Smith is a Ph.D. Candidate in Literature at UC San Diego,
focusing on cultural studies of race and sexuality, U.S.-Mexico border
studies, Asia/ Pacific studies, and twentieth-century multiethnic
literature. Her dissertation, tentatively titled “Bawdy Amusements of
Progress in the Transpacific Borderlands,” examines circuits of culture
and commerce between California, Baja California, and Hawaii in the
Progressive Era. Her talk will draw on ongoing archival research in San
Diego, Tijuana, and Mexicali. She has recently received grants from the
Bancroft Library at UC Berkeley and the UC Pacific Rim Research Program.

Free and open to UCSD faculty, graduate students and affiliates.

Refreshments to follow the presentations.

Sponsored by the Lesbian, Gay, Bisexual and Transgender Resource Center
with funding from the Office of Graduate Studies Pilot Programs.

For more information, please contact Kyla Schuller in the Department of
Literature (kschulle (a+) ucsd d()t edu), Prof. David Serlin in the Department of
Communication (dserlin a+ ucsd D0T edu), or Jan Estrellado at the LGBT Resource
Center (jeestrellado a+ ucsd d()t edu, 858-822-3493).

mixed relations won the UCIRA Emerging Fields Award!

I’m so happy to share the news that mixed relations, a project proposed by myself and Elle Mehrmand, is the recipient of a grant from the University of California Institute for Research in the Arts! This is the next big project I’ll be working on for the next year, and it should be done by next spring. You can read a brief description of the project here…

mixed relations by Elle Mehrmand and Micha Cárdenas

Project Description

“The partners do not precede their relating: all that is, is the fruit of becoming with.”
-Donna Haraway, When Species Meet

mixed relations is a collaboration between Elle Mehrmand and Micha Cárdenas consisting of a series of performances that explore the relations between bodies and technology within mixed realities. The performances will focus on using the body as an instrument and as a site of exploration for performance in mixed realities. The goal is to look at bodies in relation to each other in these realities, as well as in relation to their instruments and to the technologies which extend and multiply them, sonically, visually and physically.

The project will involve two people performing in actual and virtual space. It will include explorations of a number of technologies which bring the body into mixed realities, outside of its daily boundaries, beyond the skin. Live audio synthesis will be achieved using Max/MSP to respond to body movements. These movements will be detected through various technologies including marker based motion capture, flex sensors, pressure sensors, light sensors, accelerometers and the Nintendo Wii. The performers’ body movements will be mirrored and extended into online 3D networked environments such as Second Life and Opensim, which will be projected into the physical performance space. Simultaneously, live realtime video will be streamed into the virtual performance space, from cameras that are attached to the performers’ bodies. Scaled projections, scale models in virtual space and the projection of virtual instruments onto actual objects will be used to create a mixing of the actual and virtual, blurring the lines between the two.

The performances will explore themes of affective tension and anticipation, techno-fetishism, and D.I.Y. cyborg bodies. Our main inspirations come from the history and traditions of performance art, such as Marina Abramovic and Ulay, Stelarc and Orlan, so we see art concerned primarily with bodies in relation, and the body and technology as the main works we are in conversation with.

While much performance art has looked at relations between people, or has engaged with motion capture technologies, mixed relations seeks to combine the rapidly spreading cultural phenomenon of embodied interfaces, exemplified in the Nintendo Wii, with live collaborative improvisational performance. Through the usage of networked online environments, the bodies of the performers are multiplied and folded, immersed in multiple locations and realities at once, creating another layer of relation. The mixing of realities in this project can be seen as paralleling or exploring of our own personal experiences of queer mixing of genders and sexualities, queering new media.

Virtual worlds such as Second Life are facilitating the development of new identities and genders, which – as of yet – allow for unimagined relations and relationships. Through the use of mixed reality technologies in performance, mixed relations seeks to look closely at these new relationships and how they affect our everyday lives and our horizons of possibility.